We present you with a local guide and driver who picks you up from the hotel to the Forbidden City.
The Forbidden City is a rectangle, with 961 metres (3,153 ft) from north to south and 753 metres (2,470 ft) from east to west. It consists of 980 surviving buildings with 8,886 bays of rooms. A common myth states that there are 9,999 rooms including antechambers, based on oral tradition, and it is not supported by survey evidence. The Forbidden City was designed to be the centre of the ancient, walled city of Beijing. It is enclosed in a larger, walled area called the Imperial City. The Imperial City is, in turn, enclosed by the Inner City; to its south lies the Outer City.
The Forbidden City remains important in the civic scheme of Beijing. The central north–south axis remains the central axis of Beijing. This axis extends to the south through Tiananmen gate to Tiananmen Square, the ceremonial centre of the People's Republic of China, and on to Yongdingmen. To the north, it extends through Jingshan Hill to the Bell and Drum Towers. This axis is not exactly aligned north–south, but is tilted by slightly more than two degrees.
Traditionally, the Forbidden City is divided into two parts. The Outer Court or Front Court includes the southern sections, and was used for ceremonial purposes. The Inner Court or Back Palace includes the northern sections, and was the residence of the Emperor and his family, and was used for day-to-day affairs of state. Generally, the Forbidden City has three vertical axes. The most important buildings are situated on the central north–south axis.
Entering from the Meridian Gate, one encounters a large square, pierced by the meandering Inner Golden Water River, which is crossed by five bridges. Beyond the square stands the Gate of Supreme Harmony (F). Behind that is the Hall of Supreme Harmony Square. A three-tiered white marble terrace rises from this square. Three halls stand on top of this terrace, the focus of the palace complex. From the south, these are the Hall of Supreme Harmony, the Hall of Central Harmony, and the Hall of Preserving Harmony.
The Hall of Supreme Harmony (G) is the largest, and rises some 30 metres (98 ft) above the level of the surrounding square. It is the ceremonial centre of imperial power, and the largest surviving wooden structure in China. It is nine bays wide and five bays deep, the numbers 9 and 5 being symbolically connected to the majesty of the Emperor. Set into the ceiling at the centre of the hall is an intricate caissondecorated with a coiled dragon, from the mouth of which issues a chandelier-like set of metal balls, called the "XuanyuanMirror". In the Ming dynasty, the Emperor held court here to discuss affairs of state. During the Qing dynasty, as Emperors held court far more frequently, a less ceremonious location was used instead, and the Hall of Supreme Harmony was only used for ceremonial purposes, such as coronations, investitures, and imperial weddings.
The Hall of Central Harmony is a smaller, square hall, used by the Emperor to prepare and rest before and during ceremonies. Behind it, the Hall of Preserving Harmony, was used for rehearsing ceremonies, and was also the site of the final stage of the Imperial examination. All three halls feature imperial thrones, the largest and most elaborate one being that in the Hall of Supreme Harmony. At the centre of the ramps leading up to the terraces from the northern and southern sides are ceremonial ramps, part of the Imperial Way, featuring elaborate and symbolic bas-relief carvings. The northern ramp, behind the Hall of Preserving Harmony, is carved from a single piece of stone 16.57 metres (54.4 ft) long, 3.07 metres (10.1 ft) wide, and 1.7 metres (5.6 ft) thick. It weighs some 200 tonnes and is the largest such carving in China. The southern ramp, in front of the Hall of Supreme Harmony, is even longer, but is made from two stone slabs joined together – the joint was ingeniously hidden using overlapping bas-relief carvings, and was only discovered when weathering widened the gap in the 20th century.
In the south west and south east of the Outer Court are the halls of Military Eminence (H) and Literary Glory (J). The former was used at various times for the Emperor to receive ministers and hold court, and later housed the Palace's own printing house. The latter was used for ceremonial lectures by highly regarded Confucian scholars, and later became the office of the Grand Secretariat. A copy of the Siku Quanshu was stored there. To the north-east are the Southern Three Places(K), which was the residence of the Crown Prince.
There are many collections to see in the Palace Museum. The collections of the Palace Museum are based on the Qing imperial collection. According to the results of a 1925 audit, some 1.17 million pieces of art were stored in the Forbidden City. In addition, the imperial libraries housed a large collection of rare books and historical documents, including government documents of the Ming and Qing dynasties.
From 1933, the threat of Japanese invasion forced the evacuation of the most important parts of the Museum's collection. After the end of World War II, this collection was returned to Nanjing. However, with the Communists' victory imminent in the Chinese Civil War, the Nationalist government decided to ship the pick of this collection to Taiwan. Of the 13,491 boxes of evacuated artefacts, 2,972 boxes are now housed in the National Palace Museum in Taipei. More than 8,000 boxes were returned to Beijing, but 2,221 boxes remain today in storage under the charge of the Nanjing Museum.
After 1949, the Museum conducted a new audit as well as a thorough search of the Forbidden City, uncovering a number of important items. In addition, the government moved items from other museums around the country to replenish the Palace Museum's collection. It also purchased and received donations from the public.
Today, there are over a million rare and valuable works of art in the permanent collection of the Palace Museum, including paintings, ceramics, seals, steles, sculptures, inscribed wares, bronze wares, enamel objects, etc. A new inventory of the Museum's collections was conducted between 2004 and 2010. Subsequently, the Palace Museum was shown to hold a total of 1,807,558 artefacts and includes 1,684,490 items designated as nationally protected "valuable cultural relics." At the end of 2016, the Palace Museum held a press conference, announcing that 55,132 previously unlisted items had been discovered in an inventory check carried out from 2014 to 2016. The total number of items in the Palace Museum collection is presently at 1,862,690 objects.
Ceramics:
The Palace Museum holds 340,000 pieces of ceramics and porcelain. These include imperial collections from the Tang dynasty and the Song dynasty, as well as pieces commissioned by the Palace, and, sometimes, by the Emperor personally. The Palace Museum holds about 320,000 pieces of porcelain from the imperial collection. The rest are almost all held in the National Palace Museum in Taipei and the Nanjing Museum.
Painting: The Palace Museum holds close to 50,000 paintings. Of these, more than 400 date from before the Yuan dynasty (1271–1368). This is the largest such collection in China. The collection is based on the palace collection in the Ming and Qing dynasties. The personal interest of Emperors such as Qianlong meant that the palace held one of the most important collections of paintings in Chinese history. However, a significant portion of this collection was lost over the years. After his abdication, Puyi transferred paintings out of the palace, and many of these were subsequently lost or destroyed. In 1948, many of the works were moved to Taiwan. The collection has subsequently been replenished, through donations, purchases, and transfers from other museums.
Bronzeware:
The Palace Museum's bronze collection dates from the early Shang dynasty. Of the almost 10,000 pieces held, about 1,600 are inscribed items from the pre-Qin period (to 221 BC). A significant part of the collection is ceremonial bronzeware from the imperial court.
Timepieces:
The Palace Museum has one of the largest collections of mechanical timepieces of the 18th and 19th centuries in the world, with more than 1,000 pieces. The collection contains both Chinese- and foreign-made pieces. Chinese pieces came from the palace's own workshops, Guangzhou (Canton) and Suzhou (Suchow). Foreign pieces came from countries including Britain, France, Switzerland, the United States and Japan. Of these, the largest portion come from Britain.
Jade:
Jade has a unique place in Chinese culture. The Museum's collection, mostly derived from the imperial collection, includes some 30,000 pieces. The pre-Yuan dynasty part of the collection includes several pieces famed throughout history, as well as artefacts from more recent archaeological discoveries. The earliest pieces date from the Neolithic period. Ming dynasty and Qing dynasty pieces, on the other hand, include both items for palace use, as well as tribute items from around the Empire and beyond.
Palace artefacts:
In addition to works of art, a large proportion of the Museum's collection consists of the artefacts of the imperial court. This includes items used by the imperial family and the palace in daily life, as well as various ceremonial and bureaucratic items important to government administration. This comprehensive collection preserves the daily life and ceremonial protocols of the imperial era.
We later proceed to the Silk Shop for visiting and shopping. Finally travelers are transferred back to their hotel.Redeem informationVoucher type: PrintedPrinted Voucher. Print and bring the voucher to enjoy the activity.LocationStart point: Free hotel pick up service within the Eastern and Western 3rd Ring Road or within the North 4th Ring Road and South 2nd Ring Road.End point: Same as the starting pointScheduleOpening datesMorning tour08:00 - 12:00Afternoon tour13:00 - 17:00Duration: 4 HoursGuide optionsGuide type: GuideRequirementsMaximun age: 75 years old.